Bibliography

Banes, S. (2003) Spontaneous Combustion: Notes on Dance Improvisation from the Sixties to the Nineties. In: Ann Cooper Albright and David Gere (eds.) Taken By Surprise: A Dance Improvisation Reader. Middletown, CT, USA: Wesleyan University Press, 77-85.

Buckwalter, M. (2010) Composing While Dancing, An Improviser’s Companion. USA: University of Wisconsin Press.

Charlie Morrissey (2011) Moving Men – Performance at Dampfzentrale, Bern. [online video] Available from https://vimeo.com/18838343 [Accessed 22 March 2015].

De Spain, K. (2014) Landscape of the Now. USA: Oxford University Press.

GentlyUsedMusic (2010) March2Marfa 2010 – Performance Excerpt. [online video] Available from https://www.youtube.com/watch?v=gvrfKq3fjVE [Accessed 22 March 2015].

Husemann, P. (2005) The Functioning of Thomas Lehmen’s Funktionen. Dance Theatre Journal, 21 (1) 31-35.

Lavender, L. and Predock-Linnell, J. (2001) From Improvisation to Choreography: the critical bridge. Research in Dance Education, 2 (2) 195-210.

Little, S. (2010) Creating the Reflective Student-Practitioner. Australasian Drama Studies, 57, 38-53.

Midgelow, V. L. (2012) Dear Practice… The experience of improvising. Choreographic Practices, 2 (1) 9-24.

Movementresearch (2014) Chris Aiken and Angie Hauser Movement Research at the Judson Church 1-13-14. [online video] Available from https://www.youtube.com/watch?v=YEYAcBS1_ZQ [Accessed 22 March 2015].

Ribeiro, M. M. and Fonseca, A. (2011) The empathy and the structuring sharing modes of movement sequences in the improvisation of contemporary dance. Research in Dance Education, 12 (2) 71-85.

Worth, L. and Poynor, H. (2004) Anna Halprin. London: Routledge.

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